|Thimble sporting Hare and Tortoise sweater|
Boy oh boy, where to start! There have been so many 'moments' when making this sweater - those wobbly moments when it looks like it has all turned to s*** and why am even bothering with complicated things when I could probably make a really nice PLAIN sweater and surely to goodness it is easier all round to just buy one anyway.
There have also been some really brilliant moments, like when I finally understand the instructions, and when the little tortoises appear and when the steeks don't fall apart despite me using the wrong yarn and when the neck looks so neat....
|I am very proud of that neckline|
|Hedley helping me stretch the sweater|
|Kate Davies wearing Tortoise and Hare sweater|
Lesson 2 - Steeks: if the instructions call for Shetland wool, use Shetland wool. Alpaca yarn is everywhere at the moment and I loved the idea of it, plus it is hypoallergenic. I was excited to discover Artesano 4 ply Alpaca comes in the same shades and at a fraction of the cost too so I bought all the yarn and only then did I read this post, where Kate Davies explains steeks (a scary process which involves cutting across rows of ovely neat knitting) and in the final paragraph, states: 'So if you are in any way nervous about steeking, then I would suggest that you stick with a sticky yarn (choose a woollen -spun yarn with a ‘halo’) and avoid smooth, shiny yarns — ie, those that are superwash-treated, those that are worsted spun, or those with long smooth fibres, like Alpaca'. Well of course it was too late by the time I had read that....I have to say there were a few sticky moments at the end with the steeks. I used sticky wool to crochet the steeks but the Alpaca really is a slippery customer and I had a sweaty couple of evenings sewing in ends.
Lesson 3 - No two animals look the same so why should I knit them that way, even when the pattern wants me to? Reminds me of the flower scene from Harold and Maude:
Well OK, so my lumpy tortoises aren't so much deliberate statements on the wonderful diversity that exists in nature as happy accidents due to the old affliction of watching too many DVDs and not concentrating on the pattern. Luckily, for the more monstrous tortoises (tortoi?) I was able to fix any of the bigger shell cankers with a needle and wool.
Lesson 4 - Negative Ease. One of the biggest wobbly moments was when someone suggested tactfully that maybe I could give the finished garment to my 11 year old neice because it obviously was really very small. The hardest thing about this design is that it is knitted as a solid tube and then the 2 sides of the neck are knitted together with a steek bridge (as are the sleeves) so it is impossible to try it on until the steeks have been done and cut. So it takes a lot of faith that everything will be ok in the end. Negative ease is best explained here by Techknitter. The garment is smaller than the person wearing it. Had I known about negative ease I would have smiled knowingly at the 'little girl sweater' comment instead of feeling somewhat distressed. OK, so the 'trying on' moment was a bit like this example of extreme negative ease:
I have learned a lot about lengthening a sweater design and steeks and knitting in the round and fairisle and what a peerie is and Vikkel Braids and weaving floats and the properties of alpaca and negative ease and fixing mistakes. I am 90% happy with the sweater. I mustn't eat too many pies or I will enter extreme negative ease territory.